Due to a cut back in new comic book reading, our contributor Darryll Robson has taken to re-reading chunks of his collection. In this Revisited series he looks back at a selected run of a particular comic to see if they are still worth reading and, for newbies, if they are worth seeking out
The Massive: Revisited
Every year I tend to find a comic that I really love, one that I wait for each month and read first before any other. At the moment this is Image’s Invisible Republic, I just can’t get enough of it, But from June 2012 to December 2014 it was Dark Horse Comics’ The Massive that I fawned over.
Written entirely by Brian Wood and illustrated by a number of different people but most notably by Kristian Donaldson and Gary Brown, The Massive was a tale of ecological idealism in a world on the brink of destruction. A number of characters’ histories are explored as they try to find their place in a new, harsher world. Running through it all is a mysterious character called Mary.
Dark Horse Presents and Opening Salvos
I initially started reading The Massive from its first issue in June 2014 unaware that it originally started in the pages of Dark Horse Presents. In issues #8 to 10 of DHP three short stories introduced some of the characters and set the scene for the rest of the series. The feel and tone of the 30 issues that were to follow was set in place in those early 8 page stories. Although the story developed over the next 30 issues the layout of Brian Wood’s narrative approach and general pacing of the stories was evident from the very beginning.
Those opening shorts were collected firstly as digital special and then reprinted in the first volume of The Massive: Black Pacific
The first Monthly issue kicked off with a story entitled Landfall: Kamchatka. Brian Wood begins his opus by throwing the reader in at the deep end. The characters are all slowly introduced aboard the Kapital with a number of different flash backs setting the scene not only for the main cast but also for the world in general.
The central relationship between Callum Israel, leader of the Ninth Wave, and Mary, his mysterious cohort, is explored by a forced separation between the two in the first issue. Callum is torn between his need for Mary and his desire to find The Massive of the title; The Massive is the main ship of The Ninth Wave and has been missing since the crash. The Crash is a yearlong sequence of events that cripple the world and change everything. Callum feels lost without both the ship and Mary but his duty to his cause and his crew draws him away, prioritising the search for The Massive.
Mary, on the other hand, is a strong, independent woman; she doesn’t think twice about heading out in the ‘zepha’ and take the fight to the pirates. She is strong-headed and appears to have no sense Go to the full article.
Source:: Business 2 Community